Political Romanticism in the Late Works
Stephen Rumph (Author)
Available worldwide
Hardcover, 304 pages
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In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how
deeply political events shaped the composer's music, from his early enthusiasm for the
French Revolution to his later entrenchment during the Napoleonic era. Impressive in
its breadth of research as well as for its devotion to interdisciplinary work in music
history,Beethoven after Napoleon challenges accepted views by illustrating the influence
of German Romantic political thought in the formation of the artist's mature style.
Beethoven's political views, Rumph argues, were not quite as liberal as many have
assumed. While scholars agree that the works of the Napoleonic era such as the
Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress,
freedom, and humanism, Beethoven's later works have attracted less political commentary.
Rumph contends that the later works show clear affinities with a native German ideology
that exalted history, religion, and the organic totality of state and society. He claims
that as the Napoleonic Wars plunged Europe into political and economic turmoil,
Beethoven's growing antipathy to the French mirrored the experience of his Romantic
contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat
but a positive affirmation of new conservative ideals.
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